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“MANY MOONS” By Charlotte Kelly FADE IN: SCENE 1 Music plays, building up to a climatic point where it cuts off. Following this, the sound of a spaceship engine humming can be heard throughout. NARRATOR The year is 2067, following World War 3, and the dismantling of the world trade organization, the world is in chaos. Corporations dominate the world, with no production regulations and mass pollution a
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  “MANY MOONS”ByCharlotte Kelly  FADE IN:SCENE 1 Music plays !uil i#$ up to a cli%atic poi#t &here it cuts o''( Follo&i#$ this the sou# o' a spaceship e#$i#e hu%%i#$ca# !e hear throu$hout(NA))A*O)*he year is +,-. 'ollo&i#$ /orl /ar 0 a# the is%a#tli#$ o' the &orl tra e or$a#iatio# the &orl is i# chaos( Corporatio#s o%i#ate the &orl  &ith #o pro uctio# re$ulatio#s a# %ass pollutio# as a result to2ic air has ri3e# %ost o' the populatio# to the Mars settle%e#t( /ith %ass i%%i$ratio# posi#$ a threat a# as the pro$ressi3ely 3iole#t protests !y the Martia# #ati3es reach a #e& hi$h as &ell as corporatio#s pu$#aciously estroyi#$ peace'ul protests o# Earth( *he4#ite Natio#s $ra#t a $roup o' te# scie#tists to try to create a settle%e#t o# *ita# o#e o' the %a#y %oo#s o' Satur#(5o&e3er espite the isco3ery o' lar$e !o ies o' &ater o# *ita# it is u#6#o&# &hether the at%osphere is a apta!le !y hu%a#s( *he e2pe itio# is the# ope#e up pu!licly to 'i# i# i3i uals &illi#$ to test the e#3iro#%e#ts spar6i#$ u#i3ersal outra$e a# protests( *he pro7ect o''ers +,,,, Bitcoi# to the test su!7ects #a%e “i#ha!ita#ts(” CAE 8-9Crac6le ; *his is cre& %e%!er Charlie Alpha Echo 8-9( )eporti#$ a %ai#te#a#ce istur!a#ce i# the e#$i#e roo%( O3erDIS<A*C5/hat is your status= O3er+  CAE 8-9I# icatio#s o' %al'u#ctio#s &ith the e2haust %a#i'ol ( I#ter'ere#ce &ith the steeri#$( See6i#$ per%issio# 'or 'urther i#3esti$atio#( O3er(A su e# lou !a#$ a# a su e# &ail o' a sire# A>) 8-+May ay May ay( Alpha >i%a )o%eo 8-+( *hreats o' co%plete po&er shut o&#( )e?uest 'or ur$e#t assista#ce( )epeat re?uest 'or ur$e#@ Static #oise;Sce#e +Co%plete sile#ce this is !ro6e# !y hea3y !reathi#$ a# the sou# o' the po&er tur#i#$ !ac6 o#( )IC5A)D/hi#i#$ o' ispatch; 5ello= 5ello= <iece o' shD)( )AY5ello= Dispatch=)IC5A)DNo I#ha!ita#t  &ho a% I spea6i#$ too=*he ra io is crac6le  &hi#i#$ a# 'a i#$ 'or the uratio# o' the co#3ersatio#;D)( )AYIs there a superior #ear!y you ca# ha# %etoo= At%osphere is a&6&ar a# there is a lo#$ pause !e'ore a respo#se co%es throu$h;)IC5A)DNo e3eryo#e i# this part o' the ship is  ea 0  D) )AYOh /hat is your curre#t positio#= )IC5A)D/hat=D) )AY/here are you= )IC5A)D4r% 'ra#tic rustli#$ as the ra io is 'a i#$; >a! 9 East Si e )oo% 9( Static #oise ta6es o3er the li#e )ichar has to shout; /here are you=D) )AYoices tu#es i# a# out throu$hout; IG% i# the co#tro *ra#s%issio# cuts !eco%es e2tre%ely 'a e ;)IC5A)D I #ee the cleara#ce H Sla%s the ra io; I#ee cleara#ce co es to $et to that part o' the ship( 5ello= Shouti#$; 5ello= Da%#it(*here is a lou crash as )ichar has o!3iously thro&# the ra io( 5e si$hs(Sce#e 0A sli$ht sou# o' cli#6i#$ as so%eo#e is o!3iously tryi#$ to'i2 a %achi#e( *his is part#ere &ith hea3y !reathi#$ to i# icate they are stru$$li#$ to o so(D) )AYBloo y Machi#e *hro&s %etal tools o&# si$hs hea3ily; *he sou# o' a# auto%atic oor so%eo#e pa#ti#$ hea3ily as the% 'alli#$ to the $rou# ca# !e hear ( *he octor 7u%ps upa# the sou# o' pic6i#$ up the tool ca# !e hear (9
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