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The Sweatbox The Sweatbox Directed by Trudie Styler John-Paul Davidson Produced by Trudie Styler John-Paul Davidson Music by David Hartley Cinematography Neil Brown Edited by Susanne Rostock Production company Xingu Films Running time 95 minutes Country United States Language English The Sweatbox is a documentary designed to show behind the scenes footage of King dom of the Sun (the original working title of The Emperor's New Groove). In real ity, it i
  The SweatboxThe SweatboxDirected by Trudie StylerJohn-Paul DavidsonProduced by Trudie StylerJohn-Paul DavidsonMusic by David HartleyCinematography Neil BrownEdited by Susanne RostockProductioncompanyXingu FilmsRunning time95 minutesCountry United StatesLanguage EnglishThe Sweatbox is a documentary designed to show behind the scenes footage of Kingdom of the Sun (the srcinal working title of The Emperor's New Groove). In reality, it illustrated the slow and painful transformation from Kingdom of the Sun to The Emperor's New Groove, including the director, musician Sting (whose wife created the documentary), artists, and voice cast being dismayed by the new direction. A major theme is creative-executive conflicts.Contents 1 Appearances 2 Background 3 Critical reception 4 ReferencesAppearances Mark Dindal Sting Roger Allers Andreas Deja David Spade Patrick Warburton Eartha Kitt John Goodman Thomas Schumacher Roy E. Disney David Hartley Randy Fullmer David Reynolds Peter Schneider Don Hahn Joe Ranft John Musker Ron Clements Gary Trousdale Kirk Wise Dale Baer Tony Bancroft Tom Jones Owen Wilson Marc Shaiman Bruce W. Smith   John DebneyBackgroundTrudie Styler, a documentarian, had been allowed to film the production of Kingdom of the Sun/The Emperor's New Groove as part of the deal that srcinally brought her husband Sting to the project. As a result, Styler recorded on film much of the struggle, controversy, and troubles that went into making the picture (including the moment when producer Fullmer called Sting to inform the pop star that his songs were being deleted from the film). Disney owns the rights to the documentary and has not released it on home video or DVD.The naming is due to the screening room at the Disney studio in Burbank, which when srcinally set up had no air conditioning, causing the animators to sweat while their rough work was being critiqued. The process of reviewing the animation as it developed became known as the Sweatbox,[1] and as the documentary was about the process of making an animated film, the term was chosen as the title. This making of documentary was co-directed by Styler and John-Paul Davidson.[1]A review by MotionPictureComics.com explains the plot: While the first thirty-to-forty minutes of The Sweatbox unfolds as one might expect any in-depth look at the making of an animated film to go ...about forty minutes in, we witness the fateful day in which an early story-boarded cut of the film is screened for the heads of Disney Feature Animation, Thomas Schumacher and Peter Schneider. They hate the film, declare that it is not working, and begin a process of totally scrapping and reinventing huge chunks of the story. Characters are totally changed...voice actors are replaced, and the entire story is shifted around. [2] Dorse A. Lanpher said the film documents the pain and anguish of the maneuvering to get The Kingdom of the Sun/The Emperor's New Groove made into a movie.[3]The 95 minute film, which was srcinally supposed to be released at the beginning of 2001, was heavily edited down into a short extra feature on The Emperor's New Groove DVD and named 'Making the Music Video' and only featuring the Oscar-nominated song, My Funny Friend and Me , and part of the behind the scene features. A Disney-approved version of the film received a worldwide premiere at the Toronto International Film Festival on September 13, 2002. It also had a short run at the Loews Beverly Center Cineplex of Los Angeles in an unpublicized one-week run in order to be eligible for an Academy Award nomination . In addition to this, the film was also shown at The Enzian theater in Orlando as part of the Florida Film Festival .[1] As of 2015, the film holds a 100% rating on Rotten Tomatoes, based on 10 reviewsCritical receptionAccording to Wade Sampson, staff writer at MousePlanet who attended a screening, each time Tom Schumacher or Peter Schneider (then-Disney Feature Animation president and Disney Studios chairman respectively) were on the screen, there were howls from the audience that was partly composed of animators from Disney Feature Animation Florida. He says that the two executives did come across as nerdy bullies who really didn't seem to know what was going on when it came to animation, and that they were unnecessarily hurtful and full of politically correct speech. He adds that it is left to the viewer to decide if this impression is due to editing or a remarkable truthful glimpse. [1]Sampson adds, Rarely have artists been caught so evocatively in fear of executives, or executives portrayed as so clueless as to how to deal with artists, how to resolve story problems and how to understand what audiences wanted. He says that supporters of Allers' srcinal vision still feel that if he had been given the time, money and support that the film would have been a masterpiece, but instead of the more ambitious Kingdom of the Sun, the Disney Studio decides to g  o with a supposedly more commercial film incorporating some of the same characters and location, Emperor's New Groove. [1]Although the film in its completed form had been kept under wraps for about a decade, on March 21, 2012 it was posted online...by an eighteen-year-old cartoonist in the UK. [4]After the documentary was leaked online, Amid Amidi of Cartoon Brew gave the following analysis of the film: The Sweatbox is at turns infuriating, hilarious and enlightening. You  ll cringe in sympathy with the Disney artists as you see the gross bureaucratic incompetence they had to endure while working at the studio in the 1990s. The film not only captures the tortured morphing of the Kingdom of the Sun into The Emperor  s New Groove, it also serves as an invaluable historical document about Disney  s animation operations in the late-1990s. If any questions remain about why Disney fizzled out creatively and surrendered its feature animation crown to Pixar and DreamWorks, this film will answer them.[4]Rich Juzwiak of Gawker said it was more of a too-many-cooks-in-the-kitchen story about sensitive creative types and the people in charge who have to tell them, 'No' , rather than a story full of fury or vengeance. [5]
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